Please use this identifier to cite or link to this item: http://hdl.handle.net/10553/58533
Title: Shakespeare’s Legal Wit: Evolution of the Translation of Shakespeare’s Legal Puns into Spanish from the 20th to the 21st Century
Authors: Rodríguez Herrera, José Manuel 
UNESCO Clasification: 570112 Traducción
5701 Lingüística aplicada
Keywords: William Shakespeare (1564-1616)
Translation
Legal puns
Malapropisms
Bowdlerization, et al
Issue Date: 2015
Journal: Revista alicantina de estudios ingleses 
Abstract: Shakespeare was law-obsessed and used a considerable amount of law terminology in his plays and sonnets. Though the use of legal terminology was frequent and extended in Elizabethan drama, Shakespeare’s handling of such technical language was particularly accurate and imaginative. It being a highly litigious age, Tudor audiences were well acquainted with a wide assortment of legal terms and concepts, and therefore in a position to enjoy the clownish characters’ (Launcelot, Gobbo, Pompey, etc.) malapropisms and legal puns. However, what applies to the Tudor audience of those days does not necessarily apply to audiences from other cultures and across different ages of Shakespearean reception. In this study, we look at the question of whether the reception of Shakespeare in the Spanish-speaking world coincides with the established image of the Poet as a playwright and poet who knew how to handle the many subtleties of the legal terminology with ease and grace. Much of this image has been diluted as a consequence of ‘loose’ renderings in Spanish translations. With reference to legal imagery, malapropisms, or legal ‘puns’ in particular, many a translation fails to adequately render the corresponding legal overtones in the target text. After a brief overview of Shakespearean translations into Spanish over the centuries, this study focuses on the evolution of the translation of Shakespeare’s legal puns into Spanish through the works of three translators starting with Leandro Fernandez de Moratín’s early 20th century renderings, Manuel Ángel Conejero’s version in 1995, and finally Ángel Luis Pujante’s recent edition of Shakespeare’s comedies and tragicomedies. The paper concludes by problematizing such strategies in the context of “law-worthy” translations as opposed to “stage-worthy” ones.
URI: http://hdl.handle.net/10553/58533
ISSN: 0214-4808
DOI: 10.14198/raei
Source: Revista alicantina de estudios ingleses [ISSN 0214-4808], n. 28, p. 165-181
URL: http://dialnet.unirioja.es/servlet/articulo?codigo=5414424
Appears in Collections:Artículos
Thumbnail
Adobe PDF (144,78 kB)
Show full item record

Page view(s)

30
checked on Apr 18, 2021

Download(s)

16
checked on Apr 18, 2021

Google ScholarTM

Check

Altmetric


Share



Export metadata



Items in accedaCRIS are protected by copyright, with all rights reserved, unless otherwise indicated.