Please use this identifier to cite or link to this item: http://hdl.handle.net/10553/72694
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dc.contributor.authorDelgado Cabrera,Arturoen_US
dc.date.accessioned2020-05-20T17:45:30Z-
dc.date.available2020-05-20T17:45:30Z-
dc.date.issued2009en_US
dc.identifier.issn0213-2958en_US
dc.identifier.otherWoS-
dc.identifier.urihttp://hdl.handle.net/10553/72694-
dc.description.abstractHalfway between Cuba and France, Heredia is one of the most outstanding poets of the "Parnasse" in late 19th century French literature. Following Leconte de Lisle's precepts, this poetic trend is especially concerned about form, and considers the sonnet the ideal strophe, due to its long tradition and prestige in the Western world. Heredia places himself in this tradition and succeeds in giving the sonnet an unusually achieved quality. We present here the poems included in "Les Conquerants", a part of his collected poems Les Trophees (1893). We emphasize that most trends of modern "Cultural Studies" would not agree with Heredia's point of view.en_US
dc.description.abstractHeredia, placé entre la culture cubaine et la France, est l’un des poètes les plus significatifs du Parnasse contemporain à la fin du XIXe siècle. Cette «école» poétique suivait les préceptes de Leconte de Lisle, particulièrement concernéepar la forme poétique, et considérait le sonnet comme la strophe idéale, à cause de sa longue tradition et son prestige dans le mondeoccidental. Heredia compose des sonnets d’une rare perfection. Il est question ici de ceux qui sont inclus dans «Les Conquérants», une partie de son recueil Les Trophées (1893). Nous faisons remarquer que les modernes «Étudesculturelles» ne seraient guère d’accord avec les points de vue de ce poète.en_US
dc.languagespaen_US
dc.relation.ispartofAnales de filología francesaen_US
dc.sourceAnales De Filologia Francesa [ISSN 0213-2958], v. 17, p. 117-128en_US
dc.subject6202 Teoría, análisis y crítica literariasen_US
dc.subject.otherPoetryen_US
dc.subject.otherParnasse Contemporainen_US
dc.subject.otherSpanish Americaen_US
dc.subject.otherSonneten_US
dc.subject.otherCultural Studiesen_US
dc.subject.otherPoésieen_US
dc.subject.otherParnasse contemporainen_US
dc.subject.otherAmérique Latineen_US
dc.subject.otherSonneten_US
dc.subject.otherÉtudes culturellesen_US
dc.titleJosé-María de Heredia: perfección formal y exaltación del colonialismoen_US
dc.title.alternativeJose-Maria de Heredia: formal perfection and exaltation of the colonialismen_US
dc.typeinfo:eu-repo/semantics/Articleen_US
dc.typeArticleen_US
dc.identifier.isi000219307900008-
dc.identifier.eissn1989-4678-
dc.description.lastpage128en_US
dc.description.firstpage117en_US
dc.relation.volume17en_US
dc.investigacionArtes y Humanidadesen_US
dc.type2Artículoen_US
dc.contributor.daisngid7003752-
dc.description.numberofpages12en_US
dc.utils.revisionen_US
dc.contributor.wosstandardWOS:Cabrera, AD-
dc.date.coverdate2009en_US
dc.identifier.ulpgces
item.fulltextCon texto completo-
item.grantfulltextopen-
crisitem.author.fullNameDelgado Cabrera,Arturo-
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