Please use this identifier to cite or link to this item:
http://hdl.handle.net/10553/56405
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Costa-Villaverde, Elisa | en_US |
| dc.date.accessioned | 2019-08-29T07:42:20Z | - |
| dc.date.available | 2019-08-29T07:42:20Z | - |
| dc.date.issued | 2009 | en_US |
| dc.identifier.issn | 0243-4504 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10553/56405 | - |
| dc.language | fra | en_US |
| dc.relation.ispartof | Cinémaction (Courbevoie) | en_US |
| dc.source | Cinémaction (Courbevoie) [ISSN 0243-4504], n. 130, p. 139-148 | en_US |
| dc.subject | 620301 Cinematografía | en_US |
| dc.subject.other | Helena Taberna | en_US |
| dc.title | La bonne nouvelle : les films de guerre ne sont plus l’apanage des hommes. Entretien avec la réalisatrice Helena Taberna | en_US |
| dc.title.alternative | III. La période contemporaine 1990-2007. La bonne nouvelle | en_US |
| dc.type | info:eu-repo/semantics/article | en_US |
| dc.type | Article | en_US |
| dc.investigacion | Artes y Humanidades | en_US |
| dc.type2 | Artículo | en_US |
| dc.description.notas | Mémoire du cinéma espagnol (1975-2007), edición dirigida por Pietsie Feenstra | en_US |
| dc.identifier.ulpgc | Sí | es |
| item.grantfulltext | none | - |
| item.fulltext | Sin texto completo | - |
| crisitem.author.orcid | 0000-0002-9065-9583 | - |
| crisitem.author.fullName | Costa Villaverde, Elisa Isabel | - |
| Appears in Collections: | Artículos | |
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