Please use this identifier to cite or link to this item: https://accedacris.ulpgc.es/jspui/handle/10553/153370
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dc.contributor.authorNgoc, Anaïs Tranen_US
dc.contributor.authorMeyer, Julienen_US
dc.contributor.authorMeunier, Fannyen_US
dc.date.accessioned2025-12-11T14:19:00Z-
dc.date.available2025-12-11T14:19:00Z-
dc.date.issued2025en_US
dc.identifier.issn0167-6393en_US
dc.identifier.otherScopus-
dc.identifier.urihttps://accedacris.ulpgc.es/jspui/handle/10553/153370-
dc.description.abstractIn this study, we investigated the transfer of musical skills to speech perception by analyzing the perception and categorization of consonants produced in whistled speech, a naturally modified speech form. The study had two main objectives: (i) to explore the effects of different levels of musical skill on speech perception, and (ii) to better understand the type of skills transferred by focusing on a group of high-level musicians, playing various instruments. Within this high-level group, we aimed to disentangle general cognitive transfers from sound-specific transfers by considering instrument specialization, contrasting general musical knowledge (shared by all instruments) with instrument-specific ones. We focused on four instruments: voice, violin, piano and flute. Our results confirm a general musical advantage and suggest that only a small amount of musical experience is sufficient for musical skills to benefit whistled speech perception. However, higher-level musicians reached better performances, with differences for specific consonants. Moreover, musical expertise appears to enhance rapid adaptation to the whistled signal throughout the experiment and our results highlight the specificity of instrument expertise. Consistent with previous research showing the impact of the instrument played, the differences observed in whistled speech processing among high-level musicians seem to be primarily due to instrument-specific expertise.en_US
dc.languagespaen_US
dc.relation.ispartofSpeech Communicationen_US
dc.sourceSpeech Communication[ISSN 0167-6393], v. 174, (Octubre 2025)en_US
dc.subject620306 Música, musicologíaen_US
dc.subject.otherConsonant Categorizationen_US
dc.subject.otherMusiciansen_US
dc.subject.otherSpeech Perceptionen_US
dc.subject.otherWhistled Speechen_US
dc.titleBenefits of musical experience on whistled consonant categorization: analyzing the cognitive transfer processesen_US
dc.typeinfo:eu-repo/semantics/Articleen_US
dc.typeArticleen_US
dc.identifier.doi10.1016/j.specom.2025.103302en_US
dc.identifier.scopus105015374780-
dc.identifier.isi001582811700001-
dc.contributor.orcid0000-0001-5872-5387-
dc.contributor.orcidNO DATA-
dc.contributor.orcidNO DATA-
dc.contributor.authorscopusid57221101192-
dc.contributor.authorscopusid14018383400-
dc.contributor.authorscopusid7101758783-
dc.identifier.eissn1872-7182-
dc.relation.volume174en_US
dc.investigacionArtes y Humanidadesen_US
dc.type2Artículoen_US
dc.contributor.daisngidNo ID-
dc.contributor.daisngidNo ID-
dc.contributor.daisngidNo ID-
dc.description.numberofpages10en_US
dc.utils.revisionen_US
dc.contributor.wosstandardWOS:Ngoc, AT-
dc.contributor.wosstandardWOS:Meyer, J-
dc.contributor.wosstandardWOS:Meunier, F-
dc.date.coverdateOctubre 2025en_US
dc.identifier.ulpgcen_US
dc.contributor.buulpgcBU-HUMen_US
dc.description.sjr0,493
dc.description.jcr3,0
dc.description.sjrqQ1
dc.description.jcrqQ1
dc.description.scieSCIE
dc.description.miaricds11,0
dc.description.erihplusERIH PLUS
item.fulltextCon texto completo-
item.grantfulltextopen-
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