Please use this identifier to cite or link to this item: https://accedacris.ulpgc.es/jspui/handle/10553/150435
Título: La alquimia escénica de Tomás González: oráculos, interpretación y sanación
Otros títulos: The scenic alchemy of Tomás González: Oracles, interpretation, and healing
Autores/as: Márquez Montes, Carmen 
Clasificación UNESCO: 620310 Teatro
Palabras clave: Tomás González
Transcendental performance
Cuban theatre
Ritual theatre
Hispanic American theatre
Fecha de publicación: 2025
Editor/a: Edizioni Ca' Foscari 
Proyectos: ESCENARIO GALDÓS. Textos, pensamiento y escenarios de Benito Pérez Galdós. 
Publicación seriada: Biblioteca Di Rassegna Iberistica
Resumen: Tomás González (Villa Clara, 1938-Havana, 2008) was a creator in the broadest sense of the term. He was a playwright, director, acting teacher, poet, storyteller, scriptwriter, film director, composer, painter, essayist, and singer. Additionally, he was a Yoruba religious saint. In this work, he delves into some of his stage creations, in which he implements the interpretive system he developed and taught to many performers. As his talented student, Vivian Acosta, mentioned, this system showed them “a new, fascinating, and difficult path: the world of the unknown, control and management of energies, the oracular body, and trance”. His transcendent performances are evident in the dance show Danza Oráculo (1991) and the monologue Cuando Teodoro se muera (1992).
URI: https://accedacris.ulpgc.es/jspui/handle/10553/150435
ISBN: 978-88-6969-939-9
ISSN: 2610-8844
DOI: 10.30687/978-88-6969-939-9/012
Fuente: Hipócrates y sus artificios. Enfermedad, medicina y narración en las literaturas y culturas hispánicas e hispanoamericanas / Margherita Cannavacciuolo, Maria Rita Consolaro, Alice Favaro (Eds.),[EISBN 978-88-6969-939-9], p. 154-162 (Enero 2025)
Colección:Capítulo de libro
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