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| Título: | La alquimia escénica de Tomás González: oráculos, interpretación y sanación | Otros títulos: | The scenic alchemy of Tomás González: Oracles, interpretation, and healing | Autores/as: | Márquez Montes, Carmen | Clasificación UNESCO: | 620310 Teatro | Palabras clave: | Tomás González Transcendental performance Cuban theatre Ritual theatre Hispanic American theatre |
Fecha de publicación: | 2025 | Editor/a: | Edizioni Ca' Foscari | Proyectos: | ESCENARIO GALDÓS. Textos, pensamiento y escenarios de Benito Pérez Galdós. | Publicación seriada: | Biblioteca Di Rassegna Iberistica | Resumen: | Tomás González (Villa Clara, 1938-Havana, 2008) was a creator in the broadest sense of the term. He was a playwright, director, acting teacher, poet, storyteller, scriptwriter, film director, composer, painter, essayist, and singer. Additionally, he was a Yoruba religious saint. In this work, he delves into some of his stage creations, in which he implements the interpretive system he developed and taught to many performers. As his talented student, Vivian Acosta, mentioned, this system showed them “a new, fascinating, and difficult path: the world of the unknown, control and management of energies, the oracular body, and trance”. His transcendent performances are evident in the dance show Danza Oráculo (1991) and the monologue Cuando Teodoro se muera (1992). | URI: | https://accedacris.ulpgc.es/jspui/handle/10553/150435 | ISBN: | 978-88-6969-939-9 | ISSN: | 2610-8844 | DOI: | 10.30687/978-88-6969-939-9/012 | Fuente: | Hipócrates y sus artificios. Enfermedad, medicina y narración en las literaturas y culturas hispánicas e hispanoamericanas / Margherita Cannavacciuolo, Maria Rita Consolaro, Alice Favaro (Eds.),[EISBN 978-88-6969-939-9], p. 154-162 (Enero 2025) |
| Colección: | Capítulo de libro |
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