Identificador persistente para citar o vincular este elemento:
https://accedacris.ulpgc.es/jspui/handle/10553/150435
| Campo DC | Valor | idioma |
|---|---|---|
| dc.contributor.author | Márquez Montes, Carmen | en_US |
| dc.date.accessioned | 2025-10-23T17:45:51Z | - |
| dc.date.available | 2025-10-23T17:45:51Z | - |
| dc.date.issued | 2025 | en_US |
| dc.identifier.isbn | 978-88-6969-939-9 | en_US |
| dc.identifier.issn | 2610-8844 | - |
| dc.identifier.other | Scopus | - |
| dc.identifier.uri | https://accedacris.ulpgc.es/jspui/handle/10553/150435 | - |
| dc.description.abstract | Tomás González (Villa Clara, 1938-Havana, 2008) was a creator in the broadest sense of the term. He was a playwright, director, acting teacher, poet, storyteller, scriptwriter, film director, composer, painter, essayist, and singer. Additionally, he was a Yoruba religious saint. In this work, he delves into some of his stage creations, in which he implements the interpretive system he developed and taught to many performers. As his talented student, Vivian Acosta, mentioned, this system showed them “a new, fascinating, and difficult path: the world of the unknown, control and management of energies, the oracular body, and trance”. His transcendent performances are evident in the dance show Danza Oráculo (1991) and the monologue Cuando Teodoro se muera (1992). | en_US |
| dc.language | spa | en_US |
| dc.publisher | Edizioni Ca' Foscari | en_US |
| dc.relation | ESCENARIO GALDÓS. Textos, pensamiento y escenarios de Benito Pérez Galdós. | en_US |
| dc.relation.ispartof | Biblioteca Di Rassegna Iberistica | - |
| dc.source | Hipócrates y sus artificios. Enfermedad, medicina y narración en las literaturas y culturas hispánicas e hispanoamericanas / Margherita Cannavacciuolo, Maria Rita Consolaro, Alice Favaro (Eds.),[EISBN 978-88-6969-939-9], p. 154-162 (Enero 2025) | en_US |
| dc.subject | 620310 Teatro | en_US |
| dc.subject.other | Tomás González | en_US |
| dc.subject.other | Transcendental performance | en_US |
| dc.subject.other | Cuban theatre | en_US |
| dc.subject.other | Ritual theatre | en_US |
| dc.subject.other | Hispanic American theatre | en_US |
| dc.title | La alquimia escénica de Tomás González: oráculos, interpretación y sanación | en_US |
| dc.title.alternative | The scenic alchemy of Tomás González: Oracles, interpretation, and healing | en_US |
| dc.type | info:eu-repo/semantics/bookPart | en_US |
| dc.type | BookPart | en_US |
| dc.identifier.doi | 10.30687/978-88-6969-939-9/012 | en_US |
| dc.identifier.scopus | 105017139561 | - |
| dc.contributor.orcid | NO DATA | - |
| dc.contributor.authorscopusid | 55318725000 | - |
| dc.identifier.eissn | 2610-9360 | - |
| dc.description.lastpage | 162 | en_US |
| dc.description.firstpage | 155 | en_US |
| dc.relation.volume | 42 | en_US |
| dc.investigacion | Artes y Humanidades | en_US |
| dc.type2 | Capítulo de libro | en_US |
| dc.description.numberofpages | 8 | en_US |
| dc.utils.revision | Sí | en_US |
| dc.date.coverdate | Enero 2025 | en_US |
| dc.identifier.supplement | 2610-8844 | - |
| dc.identifier.supplement | 2610-8844 | - |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.contributor.buulpgc | BU-HUM | en_US |
| dc.contributor.buulpgc | BU-HUM | en_US |
| dc.contributor.buulpgc | BU-HUM | en_US |
| dc.contributor.buulpgc | BU-HUM | en_US |
| item.fulltext | Con texto completo | - |
| item.grantfulltext | open | - |
| crisitem.author.dept | GIR Investigaciones literarias y lingüísticas en español | - |
| crisitem.author.dept | Departamento de Filología Hispánica, Clásica y de Estudios Árabes y Orientales | - |
| crisitem.author.orcid | 0000-0003-4539-259X | - |
| crisitem.author.parentorg | Departamento de Filología Hispánica, Clásica y de Estudios Árabes y Orientales | - |
| crisitem.author.fullName | Márquez Montes, Carmen | - |
| crisitem.project.principalinvestigator | Márquez Montes, Carmen | - |
| Colección: | Capítulo de libro | |
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