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Please use this identifier to cite or link to this item: https://accedacris.ulpgc.es/handle/10553/139936
DC FieldValueLanguage
dc.contributor.authorAlonso Herrera, Diandraen_US
dc.contributor.authorAlemán Gómez, María Ángelesen_US
dc.date.accessioned2025-06-11T09:18:01Z-
dc.date.available2025-06-11T09:18:01Z-
dc.date.issued2022en_US
dc.identifier.issn0570-4065en_US
dc.identifier.otherScopus-
dc.identifier.urihttps://accedacris.ulpgc.es/handle/10553/139936-
dc.description.abstractDuring his brief life, the galdense artist Antonio Padrón dedicated himself to representing everyday scenes, among which are paintings on Santeria, an Afro-Cuban aspect of witchcraft, one of the most popular practices punished by the Inquisition and transferred to the Canary Islands after the conquest. The objective of this study is the iconographic analysis of these characteristic works of art by Padrón and the relevance of intangible heritage based on knowledge of the practice of Santeria in its context, thus demonstrating the artist's unique vision regarding the presentation of magic and the strong bond between Cuba and the Canary Islands through his work.en_US
dc.languagespaen_US
dc.relation.ispartofAnuario De Estudios Atlanticosen_US
dc.sourceAnuario de Estudios Atlanticos[ISSN 0570-4065],v. 2022 (68), (Enero 2022)en_US
dc.subject620307 Pinturaen_US
dc.subject.otherAntonio Padrónen_US
dc.subject.otherArten_US
dc.subject.otherCanary Islandsen_US
dc.subject.otherCubaen_US
dc.subject.otherSanteriaen_US
dc.subject.otherWitchcraften_US
dc.titleWitchcraft in art through the magical vision of Antonio Padrónen_US
dc.title.alternativeLa brujería en el arte a través de la visión mágica de Antonio Padrónen_US
dc.typeinfo:eu-repo/semantics/Articleen_US
dc.typeArticleen_US
dc.identifier.doi10.36980/10774.10368en_US
dc.identifier.scopus105000050438-
dc.contributor.orcid0000-0002-6691-4185-
dc.contributor.orcid0000-0002-2614-4083-
dc.contributor.authorscopusid59693364800-
dc.contributor.authorscopusid58924880200-
dc.identifier.eissn2386-5571-
dc.identifier.issue68-
dc.relation.volume2022en_US
dc.investigacionArtes y Humanidadesen_US
dc.type2Artículoen_US
dc.utils.revisionSíen_US
dc.date.coverdateEnero 2022en_US
dc.identifier.ulpgcSíen_US
dc.contributor.buulpgcBU-ARQen_US
dc.description.dialnetimpact0,0
dc.description.dialnetqQ2
dc.description.miaricds4,5
item.grantfulltextnone-
item.fulltextSin texto completo-
crisitem.author.deptGIR Pensamiento, Creación y Representación en el ámbito de los Estudios Culturales-
crisitem.author.deptDepartamento de Arte, Ciudad y Territorio-
crisitem.author.orcid0000-0002-2614-4083-
crisitem.author.parentorgDepartamento de Filología Hispánica Clásica y de Estudios Árabes y Orientales-
crisitem.author.fullNameAlonso Herrera, Diandra-
crisitem.author.fullNameAlemán Gómez, María Ángeles-
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