Please use this identifier to cite or link to this item:
http://hdl.handle.net/10553/136011
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Giulia Filacanapa | en_US |
dc.contributor.author | Hanane Boutenbatb | en_US |
dc.date.accessioned | 2025-02-07T15:27:15Z | - |
dc.date.available | 2025-02-07T15:27:15Z | - |
dc.date.issued | 2024 | en_US |
dc.identifier.isbn | 978-84-09-63206-0 | en_US |
dc.identifier.uri | http://hdl.handle.net/10553/136011 | - |
dc.description.abstract | The aim of this contribution is to provide an insightful didactic reflection on a long-running pedagogical experiment (2014- 2024) conducted at the University of Paris 8 as a result of the collaboration between the Language Centre and the Theatre Department. Learning foreign languages through the arts, and more specifically through theatre, is an innovative approach that seeks to overcome cognitive barriers while providing learners with interactive, creative and engaging experiences. The course “L'Italien à travers le théâtre” is intended for students’ specialists of other disciplines, of all levels and who have never studied Italian before (A1.1 and A1.2 levels). It is designed with the conviction that, from a pedagogical point of view, the use of techniques specific to the field of theatre such as acting, improvisation, diction and memorisation, are particularly effective cognitive drivers for language learning. In addition, the various uses of rythme, space and mask make learners' performance more enactive and the learning experience more poly-sensory. First, we will describe the course's general set-up, drawing attention to its strengths and weaknesses; then, based on the comparative study of the results obtained in terms of learning the written and spoken language, we will discuss the specific nature of the use of physical theatre, how it works and what its objectives are. | en_US |
dc.language | eng | en_US |
dc.publisher | Universidad de Las Palmas de Gran Canaria (ULPGC) | en_US |
dc.source | Libro de Actas de las XI Jornadas Iberoamericanas de Innovación Educativa en el ámbito de las TIC y las TAC, Las Palmas de Gran Canaria, 20, 21 y 22 de noviembre de 2024 / José M. Canino Rodríguez, Jesús B. Alonso Hernández, Carlos M. Travieso González, Antonio G. Ravelo García, Santiago T. Pérez Suárez, David de la Cruz Sánchez Rodríguez (eds.), p. 63-64, (Noviembre 2024) | en_US |
dc.subject | 570111 Enseñanza de lenguas | en_US |
dc.subject | 580107 Métodos pedagógicos | en_US |
dc.subject | 620310 Teatro | en_US |
dc.subject.other | Language learning | en_US |
dc.subject.other | Physical theatre | en_US |
dc.subject.other | Learning by doing | en_US |
dc.subject.other | Creation | en_US |
dc.title | The physical theatre at the core of language learning | en_US |
dc.type | info:eu-repo/semantics/conferenceobject | en_US |
dc.type | ConferenceObject | en_US |
dc.relation.conference | XI Jornadas Iberoamericanas de Innovación Educativa en el Ámbito de las TIC y las TAC (InnoEducaTIC 2024) | en_US |
dc.description.lastpage | 64 | en_US |
dc.description.firstpage | 63 | en_US |
dc.investigacion | Artes y Humanidades | en_US |
dc.type2 | Actas de congresos | en_US |
dc.description.numberofpages | 2 | en_US |
dc.utils.revision | Sí | en_US |
dc.date.coverdate | Noviembre 2024 | en_US |
dc.identifier.ulpgc | No | en_US |
dc.contributor.buulpgc | BU-HUM | en_US |
item.fulltext | Con texto completo | - |
item.grantfulltext | open | - |
crisitem.event.eventsstartdate | 20-11-2024 | - |
crisitem.event.eventsenddate | 22-11-2024 | - |
Appears in Collections: | Actas de congresos |
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