Please use this identifier to cite or link to this item:
http://hdl.handle.net/10553/130436
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Martín Rodríguez, Antonio María | en_US |
| dc.date.accessioned | 2024-05-14T17:41:28Z | - |
| dc.date.available | 2024-05-14T17:41:28Z | - |
| dc.date.issued | 2023 | en_US |
| dc.identifier.isbn | 978-84-249-4071-3 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10553/130436 | - |
| dc.language | spa | en_US |
| dc.publisher | Gredos | en_US |
| dc.source | Medea / Séneca, p. 4-99 | en_US |
| dc.subject | 620202 Análisis literario | en_US |
| dc.subject | 620310 Teatro | en_US |
| dc.subject.other | Séneca | en_US |
| dc.subject.other | Teatro latino | en_US |
| dc.title | Prólogo | en_US |
| dc.type | info:eu-repo/semantics/bookPart | en_US |
| dc.type | BookPart | en_US |
| dc.investigacion | Artes y Humanidades | en_US |
| dc.type2 | Capítulo de libro | en_US |
| dc.description.numberofpages | 112 | en_US |
| dc.utils.revision | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.contributor.buulpgc | BU-HUM | en_US |
| dc.contributor.buulpgc | BU-HUM | en_US |
| dc.contributor.buulpgc | BU-HUM | en_US |
| dc.contributor.buulpgc | BU-HUM | en_US |
| item.fulltext | Sin texto completo | - |
| item.grantfulltext | none | - |
| crisitem.author.dept | GIR Estudios sobre humanismo, filología y pervivencia clásicas y literatura canaria | - |
| crisitem.author.dept | Departamento de Filología Hispánica Clásica y de Estudios Árabes y Orientales | - |
| crisitem.author.orcid | 0000-0003-1418-8334 | - |
| crisitem.author.parentorg | Departamento de Filología Hispánica Clásica y de Estudios Árabes y Orientales | - |
| crisitem.author.fullName | Martín Rodríguez, Antonio María | - |
| Appears in Collections: | Capítulo de libro | |
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