Please use this identifier to cite or link to this item:
https://accedacris.ulpgc.es/jspui/handle/10553/77680
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | García Hidalgo, Palmira | en_US |
| dc.date.accessioned | 2021-02-10T16:37:54Z | - |
| dc.date.available | 2021-02-10T16:37:54Z | - |
| dc.date.issued | 2021 | en_US |
| dc.identifier.issn | 1133-598X | en_US |
| dc.identifier.uri | https://accedacris.ulpgc.es/handle/10553/77680 | - |
| dc.language | spa | en_US |
| dc.relation.ispartof | Vegueta: Anuario de la Facultad de Geografía e Historia | en_US |
| dc.source | Vegueta: Anuario de la Facultad de Geografía e Historia [ISSN 1133-598X], v. 21 (1), p. 675-679 | en_US |
| dc.subject | 55 Historia | en_US |
| dc.subject | 620201 Crítica de textos | en_US |
| dc.title | Laura Martínez Martín , Voces de la ausencia. Las cartas privadas de los emigrantes asturianos a América (1856-1936), Ediciones Trea, S.L, Gijón, 2019, págs. 285, ISBN: 978-84-17987-86-2 | en_US |
| dc.type | info:eu-repo/semantics/review | en_US |
| dc.type | Review | en_US |
| dc.identifier.doi | 10.51349/veg.2021.1.25 | - |
| dc.description.lastpage | 679 | en_US |
| dc.description.firstpage | 675 | en_US |
| dc.relation.volume | 21 | en_US |
| dc.investigacion | Artes y Humanidades | en_US |
| dc.type2 | Reseña | en_US |
| dc.utils.revision | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.description.sjr | 0,2 | |
| dc.description.sjrq | Q1 | |
| dc.description.esci | ESCI | |
| dc.description.fecytq | Q2 | |
| dc.description.fecytpuntuacion | 38,28 | |
| dc.description.dialnetimpact | 0,0 | |
| dc.description.dialnetq | Q1 | |
| dc.description.dialnetd | D2 | |
| dc.description.miaricds | 10,0 | |
| dc.description.erihplus | ERIH PLUS | |
| item.fulltext | Con texto completo | - |
| item.grantfulltext | open | - |
| Appears in Collections: | Reseña | |
Page view(s) 1
65
checked on Jan 10, 2026
Download(s)
79
checked on Jan 10, 2026
Google ScholarTM
Check
Altmetric
Share
Export metadata
Items in accedaCRIS are protected by copyright, with all rights reserved, unless otherwise indicated.
