Identificador persistente para citar o vincular este elemento:
http://hdl.handle.net/10553/71878
Campo DC | Valor | idioma |
---|---|---|
dc.contributor.author | Rodríguez Herrera, José Manuel | en_US |
dc.date.accessioned | 2020-04-30T14:14:39Z | - |
dc.date.available | 2020-04-30T14:14:39Z | - |
dc.date.issued | 2014 | en_US |
dc.identifier.issn | 0524-6881 | en_US |
dc.identifier.other | Scopus | - |
dc.identifier.uri | http://hdl.handle.net/10553/71878 | - |
dc.description.abstract | Away from Her (2006), Sarah Polley's debut as director and screenwriter, based on Nobel Prize winner Alice Munro's "The Bear Came Over the Mountain," stands out as a paradigmatic case of artistic adaptation. In the process of adapting the story to the screen, this Canadian actress-turned-filmmaker manages to use innovative cinematic techniques, such as the 'space-off' and 'reversal,' to convey her feminist interpretation of Munro's cryptic text. Though her scripted dialogue shows a high degree of similarity to Munro's text, Polley avoids mimicry and successfully reproduces the core of the story in the new medium. It is as if she knew beforehand that if she wants to get closer to an artistic adaptation of a text by one of Canada's most renowned writers, she must remain somehow Away from Her. | en_US |
dc.language | eng | en_US |
dc.relation.ispartof | Brno Studies in English | en_US |
dc.source | Brno Studies in English [ISSN 0524-6881], v. 39 (2), p. 107-121 | en_US |
dc.subject | 6202 Teoría, análisis y crítica literarias | en_US |
dc.subject.other | Author-Based Cinema | en_US |
dc.subject.other | Canadian Cinema | en_US |
dc.subject.other | Hollywood Melodrama | en_US |
dc.subject.other | Images Of Affection | en_US |
dc.subject.other | Screen Adaptation Of A Literary Text | en_US |
dc.subject.other | Space-Off | en_US |
dc.title | Away from her? Sarah Polley's screen adaptation of Alice Munro's"the bear came over the mountain | en_US |
dc.type | info:eu-repo/semantics/Article | en_US |
dc.type | Article | en_US |
dc.identifier.doi | 10.5817/BSE2013-2-7 | en_US |
dc.identifier.scopus | 84909943661 | - |
dc.contributor.authorscopusid | 56411619900 | - |
dc.description.lastpage | 121 | en_US |
dc.identifier.issue | 2 | - |
dc.description.firstpage | 107 | en_US |
dc.relation.volume | 39 | en_US |
dc.investigacion | Artes y Humanidades | en_US |
dc.type2 | Artículo | en_US |
dc.utils.revision | Sí | en_US |
dc.date.coverdate | Enero 2014 | en_US |
dc.identifier.ulpgc | Sí | es |
dc.description.sjr | 0,277 | |
dc.description.sjrq | Q1 | |
dc.description.erihplus | ERIH PLUS | |
item.grantfulltext | open | - |
item.fulltext | Con texto completo | - |
crisitem.author.dept | GIR IATEXT: Filología Clásica "Juan de Iriarte" | - |
crisitem.author.dept | IU de Análisis y Aplicaciones Textuales | - |
crisitem.author.dept | Departamento de Filología Moderna, Traducción e Interpretación | - |
crisitem.author.orcid | 0000-0001-7986-0350 | - |
crisitem.author.parentorg | IU de Análisis y Aplicaciones Textuales | - |
crisitem.author.fullName | Rodríguez Herrera, José Manuel | - |
Colección: | Artículos |
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