Please use this identifier to cite or link to this item:
http://hdl.handle.net/10553/68539
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Arbona Ponce, Pedro | es |
| dc.contributor.author | Suárez González, Haridian Del Carmen | es |
| dc.date.accessioned | 2020-01-23T03:35:09Z | - |
| dc.date.available | 2018-10-03T00:00:00Z | es |
| dc.date.available | 2020-01-23T03:35:09Z | - |
| dc.date.issued | 2016 | en_US |
| dc.identifier.other | contentdm-postulpgc | es |
| dc.identifier.uri | http://hdl.handle.net/10553/68539 | - |
| dc.description | Grado en Lenguas Modernas | en_US |
| dc.format | es | |
| dc.language | spa | en_US |
| dc.rights | Acceso restringido para la comunidad universitaria de la ULPGC | es |
| dc.subject | 620301 Cinematografía | en_US |
| dc.subject.other | Cine-Asia | es |
| dc.title | From Kong Fuzi (1940) and Kong Zi (2010): two cinematic portrayals of an icon | es |
| dc.type | info:eu-repo/semantics/bachelorThesis | en_US |
| dc.type | BachelorThesis | en_US |
| dc.contributor.departamento | Departamento de Filología Moderna | es |
| dc.contributor.facultad | Facultad de Filología | en_US |
| dc.identifier.absysnet | 749777 | es |
| dc.type2 | Trabajo final de grado | en_US |
| dc.description.numberofpages | 46 p. | es |
| dc.utils.revision | Sí | en_US |
| dc.identifier.matricula | TFT-41443 | es |
| dc.identifier.ulpgc | Sí | es |
| dc.contributor.titulacion | Grado en Lenguas Modernas | es |
| item.grantfulltext | restricted | - |
| item.fulltext | Con texto completo | - |
| crisitem.advisor.dept | Departamento de Filología Moderna, Traducción e Interpretación | - |
| Appears in Collections: | Trabajo final de grado Restringido ULPGC | |
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