Identificador persistente para citar o vincular este elemento: http://hdl.handle.net/10553/47371
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dc.contributor.authorSánchez Cuervo, Margarita Estheren_US
dc.date.accessioned2018-11-23T13:01:32Z-
dc.date.available2018-11-23T13:01:32Z-
dc.date.issued2016en_US
dc.identifier.issn0034-4346en_US
dc.identifier.urihttp://hdl.handle.net/10553/47371-
dc.description.abstractThis article discusses the presence of figures of thought in some well-known feminist essays by Virginia Woolf. The novelist and essayist was especially sensitive to the challenging situation of women throughout history as far as their personal and professional desire for equality in a male-centered society was concerned. Woolf tries to make readers aware of her feminist views by using expressive resources like figures of speech or schemes, tropes and figures of thought in her writing. Figures of thought can be defined as those specific gestures which are designed to interact with the audience. Their use is connected with the functional use of language in the sense that they may draw readers’ attention away from the textual content and toward the context. Since the essays chosen for this study were first read aloud or were written in the form of letters before being published, the appeal to audience may be more deliberate and thus effective. The figures analyzed are enallage of person, erotema, ecphonesis, prosopopeia, aposiopesis and prolepsis.en_US
dc.languageengen_US
dc.publisher0034-4346
dc.relation.ispartofRenascenceen_US
dc.sourceRenascence [ISSN 0034-4346], v. 68(2), p. 127-143en_US
dc.subject6202 Teoría, análisis y crítica literariasen_US
dc.subject.otherVirginia Woolfen_US
dc.subject.otherRhetorical figuresen_US
dc.subject.otherConstructing intentionsen_US
dc.subject.otherInteractionsen_US
dc.subject.otherAttitudesen_US
dc.titleThe appeal to audience through figures of thought in Virginia Woolf's feminist essaysen_US
dc.typeinfo:eu-repo/semantics/Articleen_US
dc.typeArticleen_US
dc.identifier.doi10.5840/renascence20166829en_US
dc.identifier.isi000376048900005-
dc.description.lastpage143en_US
dc.description.firstpage127en_US
dc.relation.volume68en_US
dc.investigacionArtes y Humanidadesen_US
dc.type2Artículoen_US
dc.contributor.daisngid8077511-
dc.utils.revisionen_US
dc.contributor.wosstandardWOS:Cuervo, MES-
dc.date.coverdatePrimavera 2016en_US
dc.identifier.ulpgcen_US
dc.contributor.buulpgcBU-HUMen_US
dc.description.sjr0,1
dc.description.sjrqQ4
dc.description.ahciAHCI
dc.description.erihplusERIH PLUS
item.grantfulltextnone-
item.fulltextSin texto completo-
crisitem.author.deptGIR Discourse, Communication and Society-
crisitem.author.deptDepartamento de Filología Moderna, Traducción e Interpretación-
crisitem.author.orcid0000-0002-5562-8837-
crisitem.author.parentorgDepartamento de Filología Moderna, Traducción e Interpretación-
crisitem.author.fullNameSánchez Cuervo, Margarita Esther-
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