Please use this identifier to cite or link to this item:
https://accedacris.ulpgc.es/jspui/handle/10553/123702
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Martínez de Osaba Rañón, María del Mar | en_US |
| dc.date.accessioned | 2023-06-22T10:48:41Z | - |
| dc.date.available | 2023-06-22T10:48:41Z | - |
| dc.date.issued | 2023 | en_US |
| dc.identifier.issn | 2386-8635 | en_US |
| dc.identifier.uri | https://accedacris.ulpgc.es/handle/10553/123702 | - |
| dc.language | spa | en_US |
| dc.relation.ispartof | Philologica canariensia | en_US |
| dc.source | Philologica canariensia [ISSN 2386-8635], v. 29, p. 423-427, (2023) | en_US |
| dc.subject | 620201 Crítica de textos | en_US |
| dc.subject | 6202 Teoría, análisis y crítica literarias | en_US |
| dc.title | Robert Hampson and Véronique Pauly (eds.), The Reception of Joseph Conrad in Europe. London: Bloomsbury Academic, 2022. 560 pages. ISBN: 978-1-4742-4108-3 | en_US |
| dc.type | info:eu-repo/semantics/review | en_US |
| dc.type | Review | en_US |
| dc.identifier.doi | 10.20420/Phil.Can.2023.609 | en_US |
| dc.contributor.orcid | 0009-0009-7113-099X | - |
| dc.description.lastpage | 427 | en_US |
| dc.identifier.issue | 29 (2023) | - |
| dc.description.firstpage | 423 | en_US |
| dc.investigacion | Artes y Humanidades | en_US |
| dc.type2 | Reseña | en_US |
| dc.description.numberofpages | 5 | en_US |
| dc.utils.revision | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.identifier.ulpgc | Sí | en_US |
| dc.description.sjr | 0,173 | - |
| dc.description.sjrq | Q1 | - |
| dc.description.esci | ESCI | - |
| dc.description.fecytq | Q2 | |
| dc.description.fecytpuntuacion | 32,07 | |
| dc.description.dialnetimpact | 0,0 | |
| dc.description.dialnetq | Q1 | |
| dc.description.miaricds | 9,9 | - |
| dc.description.erihplus | ERIH PLUS | - |
| item.grantfulltext | open | - |
| item.fulltext | Con texto completo | - |
| Appears in Collections: | Reseña | |
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