Please use this identifier to cite or link to this item:
http://hdl.handle.net/10553/103494
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Lee Lee, Xavier Li Tah | es |
| dc.contributor.author | Cubas Godoy, Raquel | es |
| dc.date.accessioned | 2021-03-11T00:59:59Z | - |
| dc.date.available | 2021-03-11T00:59:59Z | - |
| dc.date.issued | 2020 | - |
| dc.identifier.other | Gestión académica | |
| dc.identifier.uri | http://hdl.handle.net/10553/103494 | - |
| dc.language | eng | en_US |
| dc.subject | 570107 Lengua y literatura | en_US |
| dc.title | Gender Division in The Red Chamber Dream: An Analysis of the Main Characters Jia Baoyu and Lin Daiyu | es |
| dc.type | info:eu-repo/semantics/bachelorThesis | en_US |
| dc.type | BachelorThesis | en_US |
| dc.investigacion | Artes y Humanidades | en_US |
| dc.type2 | Trabajo final de grado | en_US |
| local.message.claim | 2023-01-31T13:38:40.050+0000|||rp05285|||submit_approve|||dc_contributor_author|||None | * |
| local.message.claim | 2023-01-31T13:38:40.050+0000|||rp05285|||submit_approve|||dc_contributor_advisor|||None | * |
| dc.utils.revision | Sí | en_US |
| dc.identifier.matricula | TFT-58229 | es |
| dc.identifier.ulpgc | Sí | en_US |
| dc.contributor.buulpgc | BU-HUM | es |
| dc.contributor.titulacion | Grado en Lenguas Modernas | es |
| item.grantfulltext | none | - |
| item.fulltext | Sin texto completo | - |
| crisitem.author.dept | GIR IATEXT: Filología Clásica "Juan de Iriarte" | - |
| crisitem.author.dept | IU de Análisis y Aplicaciones Textuales | - |
| crisitem.author.orcid | 0000-0002-9500-4551 | - |
| crisitem.author.parentorg | IU de Análisis y Aplicaciones Textuales | - |
| crisitem.author.fullName | Cubas Godoy, Raquel | - |
| crisitem.advisor.dept | GIR Actividad translatoria, Interculturalidad y Literatura de viajes | - |
| crisitem.advisor.dept | Departamento de Filología Hispánica Clásica y de Estudios Árabes y Orientales | - |
| Appears in Collections: | Trabajo final de grado | |
Items in accedaCRIS are protected by copyright, with all rights reserved, unless otherwise indicated.